Place-based cultural knowledge – of ceremonies, songs, stories, language, kinship and ecology – binds Australian Indigenous societies together. Over the last 100 years or so, records of this knowledge in many different formats – audiocassettes, photographs, films, written texts, maps, and digital recordings – have been accumulating at an ever-increasing rate. Yet this extensive documentary heritage is dispersed. In many cases, the Indigenous people who participated in the creation of the records, or their descendants, have little idea of where to find the records or how to access them. Some records are held precariously in ad hoc collections, and their caretakers may be perplexed as to how to ensure that they are looked after.
Archival Returns: Central Australia and Beyond explores the strategies and practices by which cultural heritage materials can be returned to their communities of origin, and the issues this process raises for communities, as well as for museums, galleries, and other cultural institutions.
Jennifer Green is a postdoctoral fellow at the University of Melbourne. She has worked for over four decades with Indigenous people in Central Australia documenting languages, cultural history, art, social organisation and connections to country.
Linda Barwick is a musicologist and professor at the University of Sydney’s Sydney Conservatorium of Music.
Petronella Vaarzon-Morel is an anthropologist with long-term experience working with Warlpiri and other Indigenous peoples in Central Australia. She is an honorary research associate at the University of Sydney.
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List of tables
2. Deciphering Arrernte archives: the intermingling of textual and living knowledge by Jason Gibson, Shaun Angeles & Joel Liddle
3. Reflections on the preparation and delivery of Carl Strehlow’s heritage dictionary (1909) to the Western Aranda people by Anna Kenny
4. Returning recordings of songs that persist: the Anmatyerr traditions of akiw and anmanty by Jason Gibson
5. Incorporating archival cultural heritage materials into contemporary Warlpiri women’s yawulyu spaces by Georgia Curran
6. Enlivening people and country: the Lander Warlpiri cultural mapping project by Petronella Vaarzon-Morel & Luke Kelly
7. (Re)turning research into pedagogical practice: a case study of translational language research in Warlpiri by Carmel O’Shannessy, Samantha Disbray, Barbara Martin & Gretel Macdonald
8. ‘The songline is alive in Mukurtu’: return, reuse, and respect by Kimberly Christen
9. ‘For the children ...’: Aboriginal Australia, cultural access, and archival obligation by Brenda Croft, Sandy Toussaint, Felicity Meakins & Patrick McConvell
10. Working at the interface: the Daly Languages Project by Rachel Nordlinger, Ian Green & Peter Hurst
11. ‘We never had any photos of my family’: archival return, film, and a personal history by Fred Myers & Lisa Stefanoff
12. Return of a travelling song: wanji-wanji in the Pintupi region of Central Australia by Myfany Turpin
13. Never giving up: negotiating, culture-making, and the infinity of the archive by Sabra Thorner, Linda Rive, John Dallwitz & Janet Inyika
14. Nura’s vision: Nura’s voice by Suzanne Bryce, Julia Burke & Linda Rive
15. i-Tjuma: the journey of a collection – from documentation to delivery by Elizabeth Marrkilyi Ellis, Jennifer Green & Inge Kral
16. Ever-widening circles: consolidating and enhancing Wirlomin Noongar archival material in the community by Clint Bracknell & Kim Scott
Size: 254 × 178 mm
Publication: 03 Feb 2020
Series: Indigenous Music of Australia