Richard Flanagan: Critical Essays is the first book to be published about the life and work of this major world author. Written by twelve leading critics from Australia, Europe and North America, these richly varied essays offer new ways of understanding Flanagan’s contribution to Tasmanian, Australian and world literature.
Flanagan’s fictional worlds offer empathetic, often poignant, renderings of those whose voices have been lost beneath official accounts of history, stories from a small region that have made their mark on a global scale. Considering his seven novels as well as his non-fiction, journalism and correspondence, this collection examines the historical and geographical factors that have shaped Flanagan’s representation of Tasmanian identity.
This collection offers new insights into a determinedly regional writer, and the impact he has had on a local, national and global scale.
Ben Holgate is a Leverhulme Early Career Fellow at Queen Mary University of London in the Department of Comparative Literature. Previously he was an associate lecturer at the University of York in the Department of English and Related Literature. Ben’s first monograph, which is about magical realism as environmental discourse, will be published by Routledge in 2019.
Bill Ashcroft is professor of English at the University of New South Wales.
Joseph Cummins is the author of numerous articles on contemporary Australian literature and popular music. He recently submitted a doctoral thesis titled The Space and Time of Imagined Sound: Australian Literature and Music, 1945 to Present.
Laura A. White is associate professor of English at Middle Tennessee State University. She is also affiliate faculty with the Women’s and Gender Studies Program.
Liliana Zavaglia is a sessional lecturer in Australian literature at the University of Sydney.
Marc Delrez teaches English at the University of Liège.
Margaret Harris is Challis professor of English literature emerita at the University of Sydney.
Nathanael O’Reilly teaches British and postcolonial literature at Texas Christian University.
Nicholas Birns is associate professor at the Center for Applied Liberal Arts, New York University.
Robert Dixon is professor of Australian literature at the University of Sydney. He is a general editor in Sydney University Press’ Sydney Studies in Australian Literature series.
Salhia-Ben Messahel is senior lecturer in English at the Université de Lille-SHS.
Theodore F. Sheckels is professor of English and communication studies at Randolph-Macon College.
The novels of Richard Flanagan: an introduction by Robert Dixon and Liliana Zavaglia1. Circles of violence: historical constellations in Death of a River Guide and The Sound of One Hand Clapping by Robert Dixon
2. Greening a narrative mode: antipodean magical realism and ecocriticism in Richard Flanagan’s fiction by Holgate
3. ‘Smashing and singing and sobbing and howling’: sound and Richard Flanagan’s Tasmania by Joseph Cummins
7. Contestations of authority: Richard Flanagan’s Australian biofictions by Marc Delrez
8. The genealogy of wanting by Margaret Harris
9. Terror, paranoia and manipulation: the politics of fear in The Unknown Terrorist by Nathanael O’Reilly
10. Sydney, a city without love: the unknown terrorist in The Unknown Terrorist by Theodore F. Sheckels
11. ‘Fireless flame gone amorous’: war amid love in The Narrow Road to the Deep North
12. ‘Out of the tear-drenched land’: transnational sites of memory in The Narrow Road to the Deep North
'This thoughtful and erudite collection is a worthy addition to a growing body of work on a writer whose prose is profoundly humane and who has much yet to show us.'
Joanne Curry mETAphor
‘Apart from reviews, there were a few articles scattered in academic journals but no easily accessible, book-length study. So this new collection of essays on his work, edited by Robert Dixon, is a welcome addition to the ongoing discussion of our latest literary superstar.’
Susan Lever Australian Book Review
‘Among the things we learn from the dozen scholarly essays that make up this monograph, remarkably the first extended study of Flanagan’s writing, is that the Tasmanian’s career has been built by reversing that current of indifference and oversight [of mainland Australians deleting Tasmania from the map].’
Geordie Williamson Weekend Australian
Size: 250 × 176 × 18 mm
Copyright: © 2018
Publication: 12 Oct 2018
Series: Sydney Studies in Australian Literature